She was a graphic designer with definite flair who always welcomed merriment . In remember Suzanne Rheinstein , we share 10 hallmarks of her body of work . Her thinking was one of a kind , yet the room she touch were relatable and , above all , livable .
You look at the room of celebrated interior designerSuzanne Rheinsteinand , it ’s unfeigned , you see beautiful , beguiling spaces and way of put together article of furniture and belonging that are study and elegant . But you also see room designed for gleeful living . They ’re warmly welcoming and definitely rare — a zesty gloss that enlivens a serene seating area area , a mating of things antiqued and fresh .
In a career that spanned decades , Rheinstein decorated some of the fine dwelling house in America , create rooms that were n’t just for look at but for genuinely live in .

Credit:Drew Blackwell
When the Los Angeles designer pass away this leap at 77 , she left a legacy of inspirational decorating . She ’s often cite as working in the vein of the iconic Parish - Hadley design house but with a Southern spin — she was born in New Orleans and raised in Jackson , MS . ( If you ’d had the pleasure to nosh on the lovesome cheese straw and glaze bacon she served at party , you might have hazarded a guessing . ) But it ’s the joie de vivre and availability of her work that will be remembered . Her three books , including the recentA Welcoming Elegance , offer a passkey year in fancy livability .
Drew Blackwell
The designer ’s Southern - multiply insistence on puff , community , and levity is a trademark of her work . She moved chairs and cocktail table like cheat pieces to ensure that a chat among Quaker , a night alone , or a roof - raising do would be evenly prosperous . Her legendary political party would include a full repast on china and an invitation to sit anywhere . As Los Angeles interior decorator and longtime protagonist Joe Lucas come back , “ It could be on an eighteenth - century gilt fauteuil or on the floor”—a prospect made potential by the Brobdingnagian linen “ overlap - family ” she doled out for deplete on lap . “ We ’d jocularity it was like putting an 8×10 carpet on your knees , ” Lucas enjoin .

Credit:Peter Estersohn
This split second of humor could be a pleasing equilibrium to a room of pedigreed objects . So could her deft move of forestall rarefied decor achievements with comfortable living and roadside finds . She entail it when she said , “ Coming upon a fine old rattan chair is as exciting as happen a rarefied painted and gilded eighteenth - century Milanese cabinet . ” That melodic theme and others should be replicated . There ’s no cracking tribute to a creative spirit than channeling their ingeniousness or listen lesson from suite they ’ve touched , include this collection of some of Rheinstein ’s projects over the years .
Peter Estersohn
1. Wall Murals
“ Have fun ! ” was a signature house - off of Rheinstein . Although deal - paint murals like these trellised walls are an indulgence , a room that has the optimism of give all yr long is sodding joy . Many wallpaper brands make panel that replicate paint scenics ; install one and dream on . Nothing is as transporting as walk into your own idyll .
2. Reversed Fabric
Rheinstein was n’t known for tricks , gimmicks , or hacks — but creativity , yes . inventiveness even . When upholster article of furniture ( or cladding wall here ) , she often used the back side of the cloth , see it less tawdry and unintentionally disingenuous . ( She even created her owncollection for Lee Jofamimicking this event . ) For this to work , the material must be mitt - printed , not auto - print , so the ink bleed through . The broader lesson : Find and use unintentional mantrap where you’re able to
Pieter Estersohn
3. Combining Eras, Origins
Few of us have a strictly cohesive collection of furnishings ; we ’re not all French Provincial or all midcentury forward-looking . Our homes are typically an accumulation of token beak up along the way . Not to interest — vive la différence is Rheinstein ’s ethos . Partnering an antique bureau with mod artistic creation , this picture , or an industrial cabinet with traditional rattan chairman , opposite , give a room energy . What Rheinstein would contend for is the edit . Keep the pieces with wholeness and the ones you feel passionate about ; weed out the balance . And , she would bring , be attentive to how things are put together . Silver serveware fan out over surfaces might palpate littered , but exhibit them together behind the storage locker ’s glass doors makes a instruction .
Suzanne Rheinstein
Curation is as authoritative as choice . How things are put together is crucial .
4. Allover Pattern
The idea feels downrightmaximalist : recur the same design on the walls , window intervention , and furniture upholstery . It may sound like too much of a proficient thing , but all you have to do is face to a Rheinstein - designed room to see how a sea of similarity actually calms a distance and feels cohesive , unagitated , and truly restful — a mantle of effeminacy pull mighty up to your eyes . The idea behind using allover pattern is wide-eyed : The less information there is for the oculus to read , the less body of work the idea has to do . Sink in and make relaxed .
5. Painted Floors
A touch of Boston - by - way - of - Britain decorating , painted floorsalways brighten a room . They ’re an economical update liken to refinishing or supersede floor , and they can be profoundly pollyannaish . For Rheinstein , floors were another airplane of architecture to mastermind and entice the eye . She often turned her care to them to connect two disparate rooms , such as a buttery with a kitchen . Her general formula for painted storey : spliff to pallid colors and keep geometric traffic pattern simple .
Let details expose themselves over prison term . Not every elbow room , aim , colour , or textile needs to cry ' Wow . '
6. Traditional with the Unexpected
graceful inside risk being stiff . Rheinstein ’s rooms are n’t . Why ? It ’s the touch of the unexpected — casual with conventional or a bit of queerness in something traditional . In this lacquered sitting elbow room , she pick a dashing apple unripened and carry the semblance onto the roof . In others , a unproblematic sisal hemp carpet might undersell the formalities of antique trappings without recede their dignity .
7. Versatile Banquettes
banquette fulfill many needs in decorating . They give meaning to a nothing outer space ( such as the two that hug the wall and provide additional seating and style ) . With no arms to impede , the pieces can tally where lounge ca n’t , adding a lap of quilt and a clipping profile . place back - to - back , they create an unexpectedly elegant seating arrangement .
8. Slipcovers on Antiques
In the days before AC , furniture in hunky-dory houses would get apparel for summer in breathable cotton fiber slipcovers . “ Summer clothes ” also had the effect of freshening serious furniture . What could be more Rheinstein than outfitting a neoclassic settle in a jaunty stripe ? It ’s an invitation to sit .
9. Symmetry
To bring a sense of order and tranquility to a way , Rheinstein relied on balancing : pairs of sofas and lamps facing each other or a sketch of two item flanking a third . She loved to apply this authoritative move but never failed to find something to skew it slightly — a vase of tall arm placed off - center , above , for example .
10. Antiqued Mirrors
Points of light transform a room . Not just windowpane , candles , and lamps but materials that “ hyperbolize and beautify light , ” as Rheinstein put it . She include gilt , lacquer , and bronze as favorites — and mirrors , especially when aged . lease go of the approximation of a mirror just showing reflections . Antiqued adaptation with gentle stain ( desilverizing ) — natural or applied — total an expanse of sparkle , and the mottled appearing loan a sentiency of mystery .

Credit:Peter Estersohn



Credit:Peter Estersohn

Credit:Peter Estersohn

Credit:Peter Estersohn

Credit:Pieter Estersohn

Credit:Peter Estersohn

Credit:Pieter Estersohn

Credit:Pieter Estersohn