Two seasoned gardeners impart words of wisdom to help you avoid their mistakes and share in their successes
Mary and Lew Reid never calculate back after abandoning a beautiful show garden to start from boodle . But when you ’re moving from a denselyshaded gardenat the foot of sequoia to a sunny mountaintop venue , there is n’t much to regret from a horticulture standpoint . The couple made a pact not to bulge out a garden for a full yr — assume that clock time to devise a plan that would turn the fallow fields surround their Sebastopol , California , property into a magnificentlandscape . Over the 25 geezerhood since its origination , the garden continues to germinate and to instruct them daily lessons about design and sustainment . I sat down with the couple to hash out how their distance became the ultimate designers ’ classroom and to incur out what their garden can teach others about their own bed and borders .
Is there anything that you regret doing—or not doing—in your garden?
Mary Reid : Not planting a series offastigiateplants at the get-go . As you stand out on our terrace , you look out to this beautiful scene , and it was tantalizing as a gardener to plant things that would grow tall and block the view . But it was really important to me to preserve the view , so I felt that the whole center of the garden had to continue under 5 feet tall . I could have — and bid I had — used a serial of fastigiate plants that would be like exclaiming degree throughout the garden and would draw the eye upward and out onto the landscape painting beyond . Preserving a view does n’t think of you need to cut taller plants completely .
Lew Reid : I think the forged mistake that we made was putting a ground screen — cascara buckthorn ( Arctostaphylosuva - ursi , USDA Hardiness Zones 2–6)—rather than a lawn in front of the home . Once the grandchild came , they had no place to take on .
Mary : Water scarcityis an way out everywhere , and that ’s why I did n’t put a lawn into our original programme . But I ’ve come to realize that everybody can use a flyspeck jot of lawn — just to sit on or do a summersault on .

You’ve always kept diligent plant records. Is that something that is important to the success of a garden?
Mary : Every time webuy plants , I run in and put them on a root inclination , and every clock time we put them in the garden , I put them on the garden list — because , no matter the garden sizing , you block really quickly what ’s what . If a plant melt , as they occasionally do , I can easily find out what it was , where it was , and perhaps go endeavor to find it again — or not . Sometimes , the list attend as a monitor of what not to corrupt . You think you ’ll always remember , but as the age pass and the garden gets fuller , you do n’t . Trust me .
Do you have any tips or tricks for maintaining the bane of most gardeners’ existences: neat edging?
Mary : I’m not really heavy onedging . In the beginning , I keep the path and butt against crisp , and as things develop out , I maintain them trim back . But then I began to enjoy the womanishness of the plants spilling onto the paths and bed , obnubilate the edges . That strategy only works , though , if your design has crispgeometry . This whole garden is a serial publication of true circles and rightful rectangle . If there are curves , they ’re real arcs , not just shaky rail line . So when the plants start to sate out , that buffer the geometry .
commemorate , though , to make garden paths no less than 4 feet wide because , by the clip you get both sides contribute to the spill , you do n’t have more than 2 foot to walk in . Then you have to see down while you ’re walking , instead of look at the garden .
“ In the beginning , I keep the paths and edges crisp . But then I began to enjoy the softness of the plants spilling onto the paths and bed , blurring the edges . “

What keeps you motivated to continue gardening in the same space?
Mary : Because we live here ! Any garden is a challenge . But I think there has been a shift . I have back off of being as determined about the garden , which I was for 20 twelvemonth — out there every day and making lists . It was my only originative release . Now that I have other originative outlets , like painting , the garden is actually more gratifying to me than it was before because I ’m not feeling so driven about it . I can enjoy the garden more . That ’s something I have only bring in over time — and I recall a bunch of gardener fall into the same trap .
Lew : find unexampled flora on our travels and even just at the local nursery has helped keep thing fresh , too . We ’ve alsopropagatedthousands of plants ourselves . When you get fresh and interesting plants , you need to find a space to mix them into the garden and give them their just due .
Mary : Every year , dissimilar areas of the garden are being redesigned .

And is that from necessity or just from. . .
Mary : That ’s just part of having an older garden . It ’s always go to call for to be upgraded .
Lew : For example , when we first set out the garden , we purposely installed some plants that were go to grow quickly and make a show , like theeuphorbia(Euphorbia characiasssp.wulfenii , Zones 7–10 ) , and they were n’t appropriate later . You ca n’t be afraid to use those loyal fillers , but you take to remember that they are n’t going to be part of the design constantly , either .
Is maintenance an important design consideration?
Mary : The initial design of a garden is in the main about plant life arrangement and hardscaping . Maintenanceis really above all after the garden is in . And that ’s where it falls apart for most people because this includes replacing plants appropriately when needed — perchance even changing them if they ’re not doing the job that you envisioned . This basically means changing your original purpose .
Lew : The hardscape design may be permanent , but the plants really are fugacious . And they have to be change . They ca n’t stay the same .
Mary : They’re not slice of piece of furniture . They do have a life of their own , and they have a intellect of their own . They do thing that you do n’t wait them to do . If you do n’t like that , you could vary it .

Isn’t it hard, then, to get a cohesive look?
Mary : You’re not always transfer out everything — just a trivial here or there . But that brings up an important design rule I ’ve learned : Unless you desire a collector ’s garden , where there ’s one of everything , utilize chimneysweep . Put in five plant life of one kind rather of one , then ingeminate it somewhere else . You do n’t involve to have a Brobdingnagian garden to do this , either ; you may just need to scale back the sizing of the plants you use . Then , when you need to exchange one or two under performers , it ’s not as obvious .
What’s the biggest mistake designers make when planning a garden?
Mary : Betraying their own vision of the garden . You should enjoy introducing new flora and color but then stand up back and decide if this fresh direction is enhancing the entire scene . If it is n’t , have the courage to remove it . bring plants out is as of import as plant them . There are always other — possibly better — choices that can contribute to the magic of your place .
Design Lessons:Advice that never gets old
Make a map of the irrigation and electrical systems
Before you or anyone else travail a deep or lays a pipe for irrigation or electricity , make a detailed plan of where that stuff is located and always have it ready to hand . We ’ve used that piece of paper a million time — when things have gone amiss or when we ’re trying to plant large trees . That mapping was the smartest thing we did when designing our garden .
Don’t be afraid to change your mind
The English garden movement was pop in the 1990s and influenced our initial garden pattern . Several years later , we started to notice in books and powder magazine a batch of blistering - dyed compounding : coupling of Orange , purples , and reds . So we made an abrupt change and got rid of many of the pastels , which did n’t calculate great in our harsh California light anyway . Was it a lot of work to change over instruction ? Yes , but it lead to a better - looking garden in the end .
Don’t skimp on certain things
amend thesoil — before plant and on a yearly ground thereafter — is all-important . Oursoiltends to be more clay , so we convey in turkey manure to improve the texture ; that begin expensive , so we switched to duck’s egg manure . Every year , we top - dress with compost and mulch . There are no tricks to make this process easy : It ’s backbreaking work . But it help keep down the weeds and give to the nutriment of the soil .
Landscape cloth is never a good idea
If you ’re like us , you may expect at your freshly designed garden and call up , “ How am I going to keep this weeded for two years with all these picayune tiny plants ? ” Do n’t , under any luck , set up landscape fabric . It was a incubus using it , and it was a nightmare getting disembarrass of it . Every time you want to plant something , you have to get your scissors out and cut a gob in it . And it does n’t suppress dope if you mulch over it because the weed get right on top . We started taking it out of our garden after the first year , but every once in a while , we start out digging and we still see some leftover .
Danielle Sherry is a older editor .
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There’s no such thing as perfection.Even the most beautiful gardens need constant tweaking and editing. The owners of this gorgeous space learned that early on in their landscaping adventures.
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Honor the view, but don’t boycott height.Much of the garden’s center plantings are kept low to keep the view beyond accessible. But the recent addition of a few columnar plants, like this weeping Norway spruce (Picea abies‘Pendula’, Zones 3–8), help draw the eye toward the surrounding landscape.
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Remember that fast fillers eventually peter out.As short-lived perennials died out along this border, they were replaced with hardy euphorbia (Euphorbia seguierianassp.niciciana, Zones 8–11) and treasured plants, such as fairy wand (Dierama pendulum, Zones 7–9).
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Hot colors tend to look better in bright sun than pale hues.After realizing that pastel colors looked washed out in certain spots, the Reids replanted using hotter hues (left) or paired cooler colors with a contrasting color, like yellow, so that things still pop (right).

Need a focal point?Consider a pot instead of a bench. The end of a meandering path may seem like the perfect place for a garden bench, but a decorative container can be just as effective. If you need an object as a focal point, a potted tree can blend in with the landscape yet still mark a clear destination.

Plants are not pieces of furniture.They do things that you don’t expect them to do. If you don’t like that, you can change it.


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